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seal is not
sufficient to allow the low notes to pop out as well as they should.
It is extremely fascinating, nonetheless. I wonder why more of
these
instruments were not made with this system. If anyone knows, please
contact me.
We also are very fortunate to add to our collection a very rare
instrument by Henry William Moennig, who made brass instruments
in New York City from 1857 until 1883. The instrument we acquired
is pitched in BBb with four rotary valves, and looks rather like
a modern German style rotary valve tuba except for one major difference.
The key linkage,
unlike the modern system, is composed of keys directly attached
to each valve casing; and incorporates a string linkage to the
valve. This system was used in the U.S. by brass instrument makers
until approximately 1880.
After receiving
the Moennig, I spoke with Mark Elrod, a noted authority
on Civil War era brass instruments, and learned that our Moennig
BBb tuba may be the earliest BBb tuba made in the U.S., dating
from approximately 1875.
Other additions
to the collection are (1) a beautiful 4/4 size four rotary valve
model 103 BBb Alexander tuba, made by that well-known German
firm which dates from the early 1960s (2) a Cerveny model
CBB 601-4, one
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of the largest
modern rotary valve BBb tubas made from the 1970s; and last but
not least, (3) a giant Martin four piston valve BBb tuba
dating from the 1940s that belonged to Leonard Jung, Retired Principal
Tuba with the Navy Band. All three of these instruments play extremely
well, especially the Alexander and Martin.
TE Receives Visitors -
Since our
last issue, we have had several distinguished visitors to The
Tuba Exchange:
Joseph
Hebert, Professor of Tuba and Euphonium
at Loyola University of New Orleans, and formerly Principal Tuba
with the New Orleans Philharmonic, visited our store while on
a family trip. Joe is a superb BBb tuba player whose teachers
include Ross Tolbert and Joe Novotny. I have known
Joe since our time together at the Manhattan School of Music in
1965. Joe visited us to select some 3/4 tubas for Loyola. He chose
the Weril J680L for his program. Joe personally plays one
of our St. Petersburg model 202N BBb tubas which he has
endorsed ever since we began offering them in 1994.
Lee Hipp,
Principal Tuba for the San Antonio Symphony and Tuba Instructor
at the Eastern Music Festival, held each summer at Guilford College,
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North Carolina,
brought two of his students at Eastern to visit The Tuba Exchange
to try some of our F tubas. It is always a great pleasure for
me to meet and hear promising students, and Lee's students were
very talented.
We were delighted
to have Leonard Jung, Retired Principal Tuba of the US Navy Band,
visit us. Leonard, who is now in his 80's and still plays beautifully,
contacted me because he had played one of our St. Petersburg
tubas and wanted to purchase one for himself. His wonderful old
Martin BBb tuba was too large for him to play comfortably. We
agreed to trade Leonard's Martin towards a St. Petersburg model
202N. The Martin is now in our collection, and Leonard is the
happy owner of a St. Petersburg 202N. For more from Mr. Jung,
see his guest article in this issue on the King tuba that got
away.
Traveling
the farthest to come to The Tuba Exchange, Jorgen Arnsted, retired
Principal Tuba of the Danish Symphony Orchestra and Professor
of Tuba at the Copenhagen Music High School, paid us a surprise
visit in October. Professor Arnsted was very impressed by our
historic collection, and I enjoyed very much talk ing with him
about historic instruments. Professor Arnsted studied at
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